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Platform presents: Terry R. Myers \
⏲ 57 min 74 sec ✓ 03-Oct-2014
Guide to K-Catalogue YouTube Page
⏲ 4 minutes 54 seconds 👁 53
Trailer APACHE (SUB ENG)
⏲ 82 sec ✓ 16-Jul-2019
Symposium MGDHS: Teal Triggs
⏲ 29 min 82 sec ✓ 10-Mar-2014
The Copenhagen Fashion Sumit 2016 Design Challenge
⏲ 1 min 11 sec ✓ 19-May-2016
Ordo Coelestis (2014)
⏲ 2 min 75 sec ✓ 02-Sep-2014
Vue JC Blais Sig(DrunK) extrait
⏲ 41 sec ✓ 05-Mar-2015
Matthew Lincoln Digital Dialogue: 'Experimental Models and Art Historical Computing'
⏲ 36 min 29 sec ✓ 30-Oct-2015
HIKU Presents DJ Fett Burger b2b Telephones & Jon K @ 1 Primrose Street - 7th March
⏲ 31 sec ✓ 02-Mar-2015
Olivier Zeitoun, Ambivalences #2 — Maintenant Festival 2021
⏲ 19 min 5 sec ✓ 14-Dec-2021
Residencies Insights: Working with Artists. – Talk by Martin Germann
⏲ 49 min 22 sec ✓ 17-Dec-2020
CAMERA SONORA FOR 4 RADIODRAMAS - 2007 -
⏲ 2 min 95 sec ✓ 07-Nov-2011
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_platform-presents-terry-r-myers-92.webp "In connection with the exhibition Robert Overby, Works 1969 - 1987 Platform invites to a talk/guided tour through the exhibition.nTerry R. Myers has written for more than 35 international journals, including Art/Text, Arts Magazine, Flash Art, LA Weekly, Modern Painters, New Art Examiner, and Parkett. Currently he is a regular contributor to Afterall, Art Review and The Brooklyn Rail.nnMyers has contributed essays to numerous exhibition catalogues and books including SunshineKay Rosen: lifeli[")
_guide-to-k-catalogue-youtube-page.webp "K-Catalogue")
_trailer-apache-sub-eng.webp "SYNOPSISnAfter 10 years of living in the street and alcohol, Jesus strives to reintegrate himself into society.nnAWARDSn-BEST DOCUMENTARY SHORT FILM. PREMIS DE L'AUDIOVISUAL VALENCIÀ (Spain)n-21 ISLANDS INTERNATIONAL SHORT FILM FEST (U.S.A.)n-DOCUMENTARY JURY AWARD. EDITA - CERTAMEN SOCIAL AUDIOVISUAL (Spain) nnSELLECTIONSnFESTIVALSn-21 ISLANDS INTERNATIONAL SHORT FILM FEST (U.S.A.)n-INDEPENDENT AND AUTHOR’S FILM FESTIVAL OF CANARIAS - SHORT FILMS SECTION (Spain)n-NOMINATED. VALENCIAN AUDIOVIS")
_symposium-mgdhs-teal-triggs.webp "Symposiumit’s also a historynof narratives formulated around process, production, social interaction, and discourse.nnIn re(mapping) a future for graphic design history, we might ask: how can the design archive help us reconsider the ways in which we understand this history and for whom is it intended? Equally, how might a mapping of the past inform contemporary and future practice? This paper takes two case studies and focuses on the ways in whichnan archive becomes a prompt for undertaking")
_the-copenhagen-fashion-sumit-2016-design-challenge.webp "The Copenhagen Fashion Sumit 2016 Design ChallengennWhat is a sustainable wardrobe? There is no single answer to that question because it depends not only on purchasing fashion designs with supply-chains, transportation histories and production methods with the lowest eco-footprints but also on durability, washing requirements and garments that don't look dated the next season. The Copenhagen Fashion Summit 2016 Design Challenge seeks to provoke continued discussion on these issues. nnThe goal o")
_ordo-coelestis-2014.webp "Audiovisual installation nVideoprojection on 8 screens, audio on 8 channels.nMassimiliano Viel (audio) and nFabio Volpi a.k.a dies_ (visuals)nZ.E.A. Zone di Esplorazione ArtisticanA contemporary art programme curated by Michele Porcu and Mary Zurigo within the events conceived for quantomais, a project by A4A project Rivolta Savioni Architetti nExpo Gate - Spazio Sforza, via Luca Beltrami, MilanonThe arrangement of the constellations in the sky is but one of the many expressions of the ordering")
_vue-jc-blais-sigdrunk-extrait.webp "Vente #Artvideo Vincent Wapler à Drouot, le 30 mars 2015nnJean-Charles BLAIS (né en 1956)nSig (DruNK)nDVD NTSCnDaté 15.10.2004, numéroté 12 et monogrammé JCBn1 200 / 1 400 eurosnnEdition progressive, tirée à douze exemplaires à ce journnSig.(DrUnk)n’est pas tout à fait un objet, c’est plutôt une apparition. Elle prend cette forme particulière et variable que chacun invente en la projetant. A mon point de vue, ‘l’œuvre‘ est la pièce jouée,je me suis donc intéressé")
_matthew-lincoln-digital-dialogue-39experimental-models-and-art-historical-computing39.webp "Matthew Lincoln, PhD Candidate in Art HistorynUniversity of MarylandnnMITH Conference RoomnTuesday, October 27, 2015 at 12:30 pmnn“In the context of research, a model is an experimental device, modelling an experimental technique.” Willard McCarty, Humanities Computing.nnWhat is a research model, and what is an experiment, in the context of art history? As we begin to compute data troves derived from catalogues raisonné and museum collections in new ways, we are challenged to grapple seriou")
_hiku-presents-dj-fett-burger-b2b-telephones-amp-jon-k-1-primrose-street-7th-march.webp "Event: https://www.facebook.com/events/510014149141037nnTrack: DJ Fett Burger - Disco Tre nhttps://www.youtube.com/watch?v=PJ7c3UkVs28nnAfter the sweaty madness of our 2nd birthday we’re back for another 3 guest special at 1 Primrose Street! This time we welcome a pair of Scandinavian wizards who'll be spinning back to back for 4 glorious hours along-side arguably the finest selector in Manchester.nnLimited £6 early birds are up on Party for the Peoplenhttps://tickets.partyforthepeople.org.uk")
_olivier-zeitoun-ambivalences-2-maintenant-festival-2021.webp "Ambivalences #2 : Mutations du vivant - Hybridationsnn—nn▸ OLIVIER ZEITOUN – ATTACHE DE CONSERVATION ET CO-COMMISSAIREnOlivier Zeitoun est attaché de conservation au service Design et Prospective industrielle du Musée National d’Art Moderne, Centre Pompidou. Titulaire de deux masters en sciences sociales et en philosophie et histoire de l’art, il travaille sur des expositions et acquisitions du Musée. Ses recherches se concentrent sur les enjeux liés au champ du numérique dans les")
_residencies-insights-working-with-artists-talk-by-martin-germann.webp "7 Dec 2016, Wed 07:30 PM - 09:00 PMnnMartin Germann’s curatorial practice revolves around the artists’ needs and expectations. Engaging artists in a collaborative process allows to stretch the limits of an institution and find possible answers to the urgent question: “Where does art belong?”.nnIn this talk, Martin Germann will provide various examples of recent and remote projects as well as an introduction to S.M.A.K.’s unique politics in putting the artist at the centre of its activi")
_camera-sonora-for-4-radiodramas-2007.webp "CAMERA SONORA FOR 4 RADIODRAMAS PX 03 International Sound Art festival (Piombino) - 2007 Project by Pietro Riparbelli/PT-R In collaboration with Massimo Magrini “ Camera Sonora for 4 Radiodramas” is an audio installation based on the transmission of four Radiodramas and it’s composed by a dark room where are disposed six old radios, (precisely conceived for a spatialization of the sound) through which , each day, it is transmitted a special Radiodrama created by four artists: Pietro Riparb")
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