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'KOMMUNIQUÈ #09' IS A SINISTER ART MANIFESTO FR0M DENMARK PRODUCED IN 1976 BY AN UNKNOWN DADAISTIC ACTIONIST-FILMMAKER CALLED JOHNNY LINDSTRØM. THE 16-MM-REEL CONTAINING THE SHORT FILM (TIED TOGETHER WITH A HANDWRITTEN VERSION OF THE MANIFESTO) WAS TRACKED DOWN BY AL BIRD GORE ON A VIENNESE FILMFAIR IN 1999 AND GOT DISTRIBUTED THROUGH TRASH ROCK PRODUCTIONS THEREAFTER. IN JULY 2003 THE FRENCH/GERMAN ARTE-TV NETWORK AIRED THE FEATURE WITHIN THE CONTEXT OF AN ART MANIFESTO-THEME NIGHT.nnTHE EXIS
KOMMUNIQUÉ #09 - DEMENTED SMUT-ART MANIFESTO (COPENHAGEN 1976)
⏲ 2 min 35 sec ✓ 15-Dec-2011
Nigel Hunter
Play School (Episode 1) - 21st April 1964
⏲ 30 minutes 3 seconds 👁 707
Lost 1960s TV and Radio
Play School - Original Opening Titles & Theme Tune - BBC2 1964
⏲ 50 seconds 👁 3.3K
In the second in our Meet the Makers series Matt Stephenson visit Treske Furniture in Thirsk.<br/><br/>There’s a timeless spirit about the towns and villages in the Hambleton and Ryedale districts of North Yorkshire: despite the traffic that zooms through on the busy ‘A’ roads, there’s a feeling that the Kilburn White Horse looks down on the landscape and sees that not everything has changed.<br/>A certain constancy and a respect for tradition underpin the work of Thirsk-based furniture company Treske - and a definite ‘Yorkshire-ness’ too.<br/><br/>“We’re a small company, everybody knows everybody here,” explains CEO Justin Bartlett. “We’re part of the fabric of the town, most of our people live here, we’re an important part of the community and that keeps us rooted in the locality.”<br/><br/>Treske was established in 1973 by ex-Ampleforth College pupil John Gormley – who, despite being a Londoner by birth, found his spiritual home under the gaze of the monumental White Horse and decided to establish his business in Thirsk.<br/><br/>Thirsk appears in the Domesday book as Tresche, the name deriving from the Old Norse for fen or lake. Tresche /Treske/ Thirsk – are different ways of spelling the same thing.<br/><br/>The influence of the Benedictine monks at Ampleforth was clear in Gormley’s approach at Treske, a sense of the Benedictine values of community, stewardship, hospitality and discipline being at the heart of the business, which still occupies the same old maltings that Gormley moved into more than 50 years ago.<br/><br/>In the late 1960s and early 1970s there was a growing interest in self-sufficiency and craft, and Treske can be seen broadly as part of that movement.<br/><br/>Local apprentices literally lived on the premises, learning age-old skills from time-served cabinet makers, eating with Gormley and family at the end of the day, sitting on Treske chairs at Treske tables and sleeping in Treske bunks.<br/><br/>The furniture itself was simple and elegant whilst being robust and well-made, Shakerish-style for a Yorkshire farmhouse, kind-of Habitat-meets-Ercol: “Yorkshire furniture for Yorkshire people with Yorkshire timber.”<br/><br/>Gormley was well-known around local markets and fairs, where he’d set up stall and sell direct to the public. Some years later, and a few miles up the A1 from Thirsk, Gormley’s youngest brother Anthony – also an old Ampleforthian - would also produce work that blended elements of the White Horse with certain religious overtones –  the Angel of The North quickly became one of the UKs most-loved works of public art.<br/><br/>In parallel with making furniture for the home, John Gormley also began to produce ecclesiastical furniture – again, the Ampleforth education clearly played a part, a feeling for church buildings being close to Gormley’s heart.<br/><br/>“It’s a side of the business which is still incredibly important to us today,\
Meet The Makers: Inside the Thirsk furniture firm part of town's fabric
⏲ 3:16 👁 870K
BBC Archive
1964: Introducing PLAY SCHOOL | Play School | Classic Children's TV | BBC Archive
⏲ 2 minutes 28 seconds 👁 6.8K
SAFC FOREVER FTM
Play School Replay.Full Video.Introduced by Brian Cant
⏲ 1 hour 20 minutes 10 seconds 👁 4.6K
After an exclusive visit to the museum, the team warmly welcomed Mr. Bloomquist to the Sala del Consiglio of the Museum in Arese, where the design of the 33 Stradale was approved in 1967, now the Bottega Alfa Romeo’s headquarters. In this symbolic place, the brand's designers, engineers and historians met and listened to the 33 owners, then created alongside them what have become unique works of art and an authentic “manifesto” of the Italian brand’s capabilities – now and in the future – in terms of style and driving experience.<br/><br/>Made in only 33 exclusive units, for 33 of the brand’s fans, the new two-seater coupé combines heritage and the future, and is produced according to a unique artisanal process with the highest quality standards and obsessive attention to detail, exactly the same way as in Renaissance artisan boutiques and in the 1960s workshops of renowned Italian coachbuilders. One of these was the renowned Carrozzeria Touring Superleggera, which went on to leave its mark on some of the most beautiful Alfa Romeos of all time and now plays a leading role in the production of the new 33 Stradale.<br/><br/>Within the historic and glorious walls of the Bottega Alfa Romeo, the U.S. entrepreneur told his story completely naturally and with great emotional involvement, showing he felt at ease in the Alfa Romeo Tribe and even more so in the small circle of owners of the new 33 Stradale, true ambassadors of the Italian brand and its values in the four corners of the Earth.
Alfa Romeo 33 Stradale in US
⏲ 3:11 👁 1.2M
kinyoman
playschool from 1973
⏲ 36 seconds 👁 370.7K
Pamfino2
Play School (out-take)
⏲ 23 seconds 👁 19.3K
The title of the piece,
AB42908610B (2006)
⏲ 31 sec ✓ 12-Aug-2009
Put The Telly On
BBC1 | Opening to Playschool | 28 12 1978
⏲ 1 minute 6 seconds 👁 78.5K
Paul Carmichael
Play School (1975)
⏲ 24 minutes 20 seconds 👁 11.2K
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