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Mariska Hargitay takes a walk down memory lane as she rewatches scenes of her iconic character Olivia Benson on 'Law & Order: Special Victims Unit.' Mariska dishes on her first on-screen hug with Christopher Meloni, her experience directing her very own 'SVU' episode for Season 25 and so much more. <br/><br/>Law & Order: Special Victims Unit Season 25 is now available to stream on Peacock. <br/><br/>Director: Jameer Pond<br/>Director of Photography: Bradley Wickham<br/>Editor: Richard Trammell<br/>Talent: Mariska Hargitay<br/>Producer: Madison Coffey<br/>Line Producer: Romeeka Powell<br/>Associate Producer: Lyla Neely<br/>Production Manager: Andressa Pelachi<br/>Production Coordinator: Elizabeth Hymes<br/>Talent Booker: Jenna Caldwell<br/>Camera Operator: Mar Alfonso<br/>Gaffer: Niklas Moller<br/>Audio Engineer: Sean Paulsen<br/>Production Assistant: Erica Palmieri<br/>Set Designer: Jeremy D. Myles<br/>Post Production Supervisor: Christian Olguin<br/>Post Production Coordinator: Scout Alter<br/>Supervising Editor: Doug Larsen<br/>Additional Editor: Jason Malizia<br/>Assistant Editor: Lyla Neely
Mariska Hargitay Rewatches 'Law & Order: SVU' from Seasons 1 to 25
⏲ 12:52 👁 3.4M
YANO Films
MALIZIA Full Movie HD | Laura Antonelli | Malicious @YANOFilms
⏲ 1 hour 19 minutes 11 seconds 👁 554.2K
YANO Films
Malizia Wanna See me Naked Movie Clip | Laura Antonelli
⏲ 1 minute 39 seconds 👁 2.4M
In the second in our Meet the Makers series Matt Stephenson visit Treske Furniture in Thirsk.<br/><br/>There’s a timeless spirit about the towns and villages in the Hambleton and Ryedale districts of North Yorkshire: despite the traffic that zooms through on the busy ‘A’ roads, there’s a feeling that the Kilburn White Horse looks down on the landscape and sees that not everything has changed.<br/>A certain constancy and a respect for tradition underpin the work of Thirsk-based furniture company Treske - and a definite ‘Yorkshire-ness’ too.<br/><br/>“We’re a small company, everybody knows everybody here,” explains CEO Justin Bartlett. “We’re part of the fabric of the town, most of our people live here, we’re an important part of the community and that keeps us rooted in the locality.”<br/><br/>Treske was established in 1973 by ex-Ampleforth College pupil John Gormley – who, despite being a Londoner by birth, found his spiritual home under the gaze of the monumental White Horse and decided to establish his business in Thirsk.<br/><br/>Thirsk appears in the Domesday book as Tresche, the name deriving from the Old Norse for fen or lake. Tresche /Treske/ Thirsk – are different ways of spelling the same thing.<br/><br/>The influence of the Benedictine monks at Ampleforth was clear in Gormley’s approach at Treske, a sense of the Benedictine values of community, stewardship, hospitality and discipline being at the heart of the business, which still occupies the same old maltings that Gormley moved into more than 50 years ago.<br/><br/>In the late 1960s and early 1970s there was a growing interest in self-sufficiency and craft, and Treske can be seen broadly as part of that movement.<br/><br/>Local apprentices literally lived on the premises, learning age-old skills from time-served cabinet makers, eating with Gormley and family at the end of the day, sitting on Treske chairs at Treske tables and sleeping in Treske bunks.<br/><br/>The furniture itself was simple and elegant whilst being robust and well-made, Shakerish-style for a Yorkshire farmhouse, kind-of Habitat-meets-Ercol: “Yorkshire furniture for Yorkshire people with Yorkshire timber.”<br/><br/>Gormley was well-known around local markets and fairs, where he’d set up stall and sell direct to the public. Some years later, and a few miles up the A1 from Thirsk, Gormley’s youngest brother Anthony – also an old Ampleforthian - would also produce work that blended elements of the White Horse with certain religious overtones –  the Angel of The North quickly became one of the UKs most-loved works of public art.<br/><br/>In parallel with making furniture for the home, John Gormley also began to produce ecclesiastical furniture – again, the Ampleforth education clearly played a part, a feeling for church buildings being close to Gormley’s heart.<br/><br/>“It’s a side of the business which is still incredibly important to us today,\
Meet The Makers: Inside the Thirsk furniture firm part of town's fabric
⏲ 3:16 👁 895K
Dreams style_youtube
Malizia 1973 #viral
⏲ 41 seconds 👁 11.1K
YANO Films
MALIZIA Movie Clip 'Funeral' | Laura Antonelli | Milicious 1973
⏲ 3 minutes 42 seconds 👁 1.4M
A CLASSIC 1973 Porsche 914 has been given a “new life” after its owner ditched the fuel tank to go electric. Despite being one of the manufacturer’s least popular models, Mark Bush spent two years converting his Porsche, swapping out its engine and fuel tank for a HPEVS motor and 126v battery.
1973 Porsche 914 Becomes Electric Supercar
⏲ 4:40 👁 310K
Junior Ngash
Malizia Laura Antonelli filimhot full part 4
⏲ 30 seconds 👁 55.8K
Cult Movies u0026 Clips
Malizia - Wanna see me naked ?
⏲ 1 minute 39 seconds 👁 7.7M
AN OLD Ford Falcon XA Superbird has been given a new life after one man restored the car to surprise his father. Tommy Giankos’ father, Paul, bought the XA Superbird in 1973 - it was his very first car. However after an accident wrote the car off, it sat idle on their family farm. It wasn’t until 2013 when Tommy decided to rebuild it to the surprise of his father. Industry experts estimate that the car has increased significantly in value after its $100,000 revamp, but the family has no plans to let go of it just yet. Tommy said: “It took five and a half years, but it's pretty much a dream come true to think that I can drive this car now, when growing up I thought I’d never drive it again after what happened.”
1973 Ford Falcon XA Superbird Restored To Former Glory
⏲ 4:10 👁 885K
After Midnight Clips
Malizia 1973
⏲ 47 seconds 👁 4.7K
mhfiranian
Malizia 1973 - Illuminati symbolism
⏲ 2 minutes 7 seconds 👁 4.3M
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