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Márton Nemes: Techno Zen / Hungarian Pavilion at Venice Art Biennale 2024. April 19, 204.<br/>Official description: Márton Nemes’ work is influenced by techno subcultures; the explosion and rearrangement of the pictorial field gives a psychedelic character to his abstract paintings that evoke the visual atmosphere of nightclubs. Combining painterly and sculptural elements, his multimedia installations create a hypnotic spatial dynamic that propels the viewer from the harsh, real world into a dizzying, fluorescent colour field. Nemes designed the project Techno Zen as an immersive, painting-based Gesamtkunstwerk that expands to other media. Laser-cut steel, car paint, enamelled steel plate, projection, DMX lights, speakers and coloured fans are the tools that he reinterprets the palette of painting with and makes the environment multisensory: its optical, acoustic and haptic content unfolds through the combined effects of light, colour, movement and sound. The project, structured in three main parts, can be fully experienced when the visitor stands in the centre of the pavilion that links left, right, front and back spaces. To be in the middle carries a symbolic meaning, it is both physical and ontological. In an era of polarized societal phenomena that exclude nuances, the project conveys a humanistic message that we, albeit its simplicity, should keep reminding ourselves of.
Márton Nemes: Techno Zen \Hungarian Pavilion at Venice Art Biennale 2024
⏲ 8:11 👁 20K
Marcos Lima Violão
Intervalos Musicais Classificando | O que são e como dar nome a eles | Aula de Violão
⏲ 28 minutes 49 seconds 👁 66.9K
Mateus Starling
Todos os intervalos no mesmo solo.
⏲ 39 seconds 👁 3K
Archie Moore: kith and kin / Australian Pavilion at Venice Art Biennale 2024. April 19, 2024.<br/>Official description: First Nations peoples of Australia are some of the oldest continuous living cultures on Earth, and statistically one of the most incarcerated. Archie Moore’s kith and kin is both evidence and reminder of these facts. The sprawling chalk on blackboard mural traces his Kamilaroi and Bigambul relations back 65,000+ years, including the common ancestors of all humans. Handwritten across the walls and ceiling, the family tree engulfs the audience. The education materials refer to the transmission of knowledge and what is left out of history. Kamilaroi and Bigambul words in the drawing assert Indigenous language revival initiatives, while holes signal colonial invasions, massacres, diseases and displacement that sever familial ties. The central reflection pool is also a void; a memorial to First Nations deaths in state custody attended by piles of coroners’ reports. Archie adds archival records referencing kin to demonstrate how colonial laws and government policies have long been imposed upon First Nations peoples. These bureaucratic papers documenting tragedies are cradled by the reflection of the family tree in the surrounding water. The artist uses his family history to make systemic issues uncomfortably tangible to audiences while providing a prescient reminder that we are all kin.
Archie Moore: kith and kin \Australian Pavilion at Venice Art Biennale 2024
⏲ 2:2 👁 50K
Felipe Scagliusi
Intervalo Musical: TUDO sobre a teoria dos intervalos musicais
⏲ 11 minutes 1 second 👁 15.4K
Posso Tocar com Daiany Dezembro
O que são os intervalos musicais e como reconhecê-los.
⏲ 1 hour 47 minutes 48 seconds 👁 35.1K
Kapwani Kiwanga: Trinket / Canadian Pavilion at the 60th International Art Exhibition – La Biennale di Venezia. Venice (Italy), April 19, 2024.<br/><br/>Official description: Kapwani Kiwanga is a multi-disciplinary artist concerned with forms of power: their suppressed histories and quotidian effects. The artist transforms the Canada Pavilion by way of a site- specific sculptural installation on the building’s interior and exterior, turning it into a large-scale tableau. Shapes shift, dissolving distinctions between inside and outside. As one moves through the coil-like architecture, it unfolds, multiplying perspectives. The installation principally consists of conterie (seed beads), historically employed as both currency and items of exchange. Conterie were dispersed globally from the Venetian island of Murano and incorporated into various material cultures. Kiwanga uses these tiny glass units to construct the monumental out of the minute, each bead acting as a witness to past transactions that changed the socioeconomic landscape of the sixteenth century and beyond. The work addresses the often-destructive history of commerce and how the trade of these beads shaped the world. Other materials related to the trade of conterie are also included. They rise from the pavilion’s floor onto the walls and spill out into the courtyard. As they meet the beads, they formalise a place of exchange, prompting reflection on issues of value, aesthetics, and global economic relations.
Kapwani Kiwanga: Trinket \Canadian Pavilion at Venice Art Biennale 2024
⏲ 8:8 👁 20K
Descomplicando a Música
O que é diminuta, aumentada, justa?! Entenda os Intervalos musicais - graus
⏲ 23 minutes 27 seconds 👁 402.9K
UM CAFÉ LÁ EM CASA
How many they are and which ones are the scales??
⏲ 16 minutes 20 seconds 👁 186K
https://facebook.nigrum-culina.de<br/>https://instagram.nigrum-culina.de<br/>https://youtube.nigrum-culina.de<br/>https://nigrum-culina.de
Nigrum Theatrum “Footage from the Depths” No. 3
⏲ 4:4 👁 10K
joseph abrahão
Intervalos na Prática (Guitarra e Violão)
⏲ 16 minutes 40 seconds 👁 9.6K
Marcos Lima Violão
[ACORDES ABERTOS] Como fazer seus acordes básicos soarem muito mais bonitos no violão
⏲ 25 minutes 2 seconds 👁 85.4K
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