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Search Results - Showing 72 - 84 Of 119
Bangladesh Boat Ride
⏲ 85 sec ✓ 29-Jul-2009
Memories of My Mentor (Trailer 1)
⏲ 1 min 6 sec ✓ 01-Mar-2017
Bangladesh: Christians Face Pressure Within Their Muslim-Majority Communities
⏲ 17 min 94 sec ✓ 17-Dec-2021
Deep Weather
⏲ 2 min 32 sec ✓ 05-Feb-2022
KOH-I-NOOR ( Trailer)
⏲ 1 min 31 sec ✓ 05-Sep-2011
Fight for life -Bangladeshi Ultra poor Women
⏲ 1 min 44 sec ✓ 06-Nov-2011
New Soil, New Roots
⏲ 12 min 15 sec ✓ 18-Aug-2015
Symposium Framing Artistic Practice I - Presentation Judith de Bruijn
⏲ 9 min 22 sec ✓ 30-May-2018
UN considering new base on western bank of Nile to give South Sudanese refugees confidence to return
⏲ 2 min 36 sec ✓ 02-Feb-2018
END TIME --Video Art
⏲ 46 sec ✓ 06-Jan-2015
A Slice of Life: Rafique
⏲ 1 min 83 sec ✓ 28-Apr-2021
Ethnic Inequality
⏲ 2 min 2 sec ✓ 29-Apr-2015
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_bangladesh-boat-ride.webp "Filmed in Dhaka, Bangladesh and is a video of me riding on a boat and talking about my Bangladeshi-rice eating-Asia loving life.")
_memories-of-my-mentor-trailer-1.webp "MEMORIES OF MY MENTOR is a seminal documentary on the life and work of Dunstan Perera (b. 1936), an extraordinary visual artist and filmmaker who has dedicated his career to expressing truth through the poetic image. Seen through the lens of Dunstan Perera, the film chronicles eight decades of image making as Perera traverses the worlds of Asia, UK and America in his timely pursuit for ultimate artistic freedom. A philosophical man, who combines the wisdom of the East with the knowledge of the W")
_bangladesh-christians-face-pressure-within-their-muslim-majority-communities.webp "According to Open Doors, Christians in Bangladesh face the greatest pressure within their general communities and private lives. Although Bangladeshi society has traditionally been open to Christianity, the nation is growing increasingly Islamic, with the government doing more to appease concerns from Muslim extremists. Islamic militants in the country pressure all groups of Christians. However, evangelical churches that work among the Muslim majority endure the most persecution.nnCloser to the")
_deep-weather.webp "Deep Weather comprises ‘Carbon Geologies’, set in the tar sands of the boreal forests of Northern Canada, and ‘Hydro Geographies’, set in the near-permanently flood-threatened Bangladesh. The connection is pursued through two narratives, one about oil, the other about water – vital ‘ur-liquids’ that form the undercurrents of all narrations as they are activating profound changes in the planetary ecology. nnAfter the oil peak, ever dirtier, remote and deeper layers of carbon r")
_koh-i-noor-trailer.webp "Synopsis: nnWhile filmmakers and film viewers keep expressing dialectic points of view on the role of cinema in our lives, times and culture; Raqeeb, a boy of 7 largely oblivious to the world of cinema, diligently works as a projectionist in a dilapidated and lone cinema house in a nondescript Bangladeshi village named Chandpur.nWhile the grown-ups continuously try to imagine and construct young Raqeeb’s world in their own terms, this film named after the cinema house Koh-i-Noor tries to captu")
_fight-for-life-bangladeshi-ultra-poor-women.webp "HowBangladeshi Ultra poor Women Changed there life .")
_new-soil-new-roots.webp "In 1963 Mohibur Rahman came to England from what was then East Pakistan, now Bangladesh.This documentary explores the life of Mohibur and his family in Brighton over half a century: growing prosperity through the restaurant trade, women’s participation in the labour force, bringing up children, and above all, cultural identity. British? Bangladeshi? What does it mean to be British in the 21st century? It is the story of identity and cultural change.")
_symposium-framing-artistic-practice-i-presentation-judith-de-bruijn.webp "Presentation Judith de Bruijn, art historian.nPart I: morning program at Parts Project.nnOn 20 April 2018, Parts Project organised the symposium ‘Framing Artistic Practice’ in collaboration with the Lectorate Art Theory & Practice of the Royal Academy of Art (KABK) in The Hague. The symposium ‘Framing Artistic Practice’ accompanied the exhibition ‘Personal Pop’, taking the case of the Bangladeshi-British artist Shah Jahan Miah (b. 1976 in Bangladesh – d. 2015 UK) as a lens to a")
_un-considering-new-base-on-western-bank-of-nile-to-give-south-sudanese-refugees-confidence-to-return.webp "It is a long journey from the capital Juba to reach remote communities on the West Bank of the Nile. nnFirst, it takes an early morning flight to Malakal over its large United Nations protection site, then a short hop via helicopter to Kodok, and finally an hour-long ride with the Bangladeshi riverine patrol.nnThe trip is an opportunity for the Head of the United Nations Mission in South Sudan to assess potential sites for a new peacekeeping base. There are a number of factors in favour of estab")
_end-time-video-art.webp "The final flurry of angels.nnThis 'video art' was inspired by three Bangladeshi installations. We were visiting the National Art Exhibition back in 2013 and were completely blown away by the standard of artworks in display. There is a thriving art community in Bangladesh which the rest of the world should pay attention to. Hopefully, in addition to extending the life span of the three original works, this 'video art' will stand tall in its own right. We hereby present an amalgam of intimate vo")
_a-slice-of-life-rafique.webp "33-year-old Bangladeshi Rafique has been working in Singapore since he was 20 years old. Like thousands of other migrant workers in the construction and marine sector, he stays in a factory-converted dormitory which is right next to his work place in Kaki Bukit. More than a year after the first Covid-19 dormitory cluster was found at S-11 Punggol, how has life changed for migrant workers like Rafique? Six months of not being able to work, and not being able to see his newborn daughter back in B")
_ethnic-inequality.webp "Ethnic Inequality is a problem of when minorities in the country have less rights than the majority. I feel very strongly about this because what i the whole point of calling others e.g.. Gujarati, Punjabi, Pashtun or Slavic. Aren't we all human beings going through life the same way like going to school, having a job, eating, sleeping and more. But what makes the difference is when people see the exterior by the skin, language and economic value. That could be the difference but remember that w")
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