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Outside shot of the museum of free Derry.
⏲ 0:31 👁 65K
Join our man Jim as he delves into the captivating world of iconic celebrity vehicles and those featured in film and TV at the renowned Petersen Automotive Museum in the vibrant city of Los Angeles!<br/><br/>Prepare to be mesmerized by the likes of Transformers, Batman's sleek rides, the legendary KITT, and the beloved Lightning McQueen. The Petersen Museum isn't just an exhibition; it's a thrilling adventure through the most legendary wheels in entertainment history! Join Jim for an unforgettable exploration that will ignite your passion for the extraordinary vehicles that have graced the big and small screens.<br/><br/>------------------<br/>Enjoyed this video? Don't forget to LIKE and SHARE the video and get involved with our community by leaving a COMMENT below the video! <br/><br/>Check out what else our channel has to offer and don't forget to SUBSCRIBE to Men & Motors for more classic car and motorbike content! Why not? It is free after all!<br/><br/>Our website: http://menandmotors.com/<br/><br/>----- Social Media -----<br/><br/>Facebook: https://www.facebook.com/menandmotors/<br/>Instagram: @menandmotorstv<br/>Twitter: @menandmotorstv<br/><br/>If you have any questions, e-mail us at talk@menandmotors.com<br/><br/>© Men and Motors - One Media iP 2024
⏲ 16:48 👁 15K
Ambitious plans for Canning Dock
⏲ 1:0 👁 10K
Ambitious plans for Canning Dock
⏲ 1:0 👁 10K
Come with us to the Intrepid Museum in New York City to see The Concorde Supersonic Jet Experience!!
⏲ 3:26 👁 10K
<p>Between the ages of two and ten, children discover the world by experiencing it, moving around, and asking questions about it; they first explore the present and then develop a notion of time. By taking risks – the risk of falling but also sensory and emotional risks – they start to understand our world better. They are fascinated by the world of adults and its rules, and by natural phenomena. Faced with a more or less present nature, they build a relationship with the living world by observing nature, to the extent that it exists. They are constantly on the move, restricted or unrestricted depending on the places they visit, and they gradually coordinate their bodies with the spaces and life around them. Their words and their needs have been the subject of close study in recent decades, including in our own cultural spaces.The first day of the symposium will look at children from various perspectives and ask how they fit into the museums and science centres of the future.<br/> </p><p>Intro, Bruno Maquart</p><p>Risk, David Le Breton</p>SHOULD CHILDREN LOVE NATURE?<p>Discussions around the conservation of biodiversity inevitably lead to the same conclusion: children need to be brought into contact with nature to encourage them to conserve it. But does spending time outdoors really encourage us to care more about the environment? Professionals from various backgrounds suggest ways of getting children out and about to strengthen their relationship with living things.</p><p><br/>With:</p><p>Benoît Sicat, interdisciplinary artist<br/>Benoît Sicat’s work focuses primarily on gardens and landscapes and explores the possible interaction between very young children and adults. His immersive landscape performances are driven largely by group improvisation. He planted a micro forest for a school at the end of 2021.</p><p>Lauren Hyams,Head of Urban Nature Programme, Natural History Museum London.<br/>Lauren is Head of Activities for the Urban Nature Programme, working to transform the Natural History Museum’s outdoor space into an exemplar of urban wildlife research, conservation and awareness. Leading a coalition of museums and wildlife organisations, the UNP will create an urban nature movement through a UK-wide learning programme for young people, families and schools.</p><p>Julien Vitores, Doctoral student in sociology at the Université Fédérale Toulouse Midi-Pyrénées and ATER at the Université Sorbonne Paris Nord; Affiliated laboratories: LASSP (EA 4175) and CESSP (UMR 8209).<br/>Julien Vitores specialises in the socialisation of young children (aged 3-6) with nature. His work examines the social conditions conducive to certain forms of interest in nature, with a focus on the social relations (primarily class and gender) in which children are engaged.</p><p> </p>
⏲ 2:38:49 👁 80K
Website link: https://corneakkers.com/2019/07/13/kethel-13-07-19/<br/>Printable: https://corneakkers.com/product/printable-kethel-13-07-19/<br/><br/>Tree in Bloom<br/><br/>When I returned to my car from my trip to Kethel, Schiedam, Netherlands, I saw this beautiful tree in bloom. Sometimes you look for grand things and the little all of a sudden pop into your eyes when least expected. The actual tree was in no interesting area but the very shape struck me by lightning. I took a picture and decided to do it only now (in summer). Live sketching can be overrated. It so happened that I do not have some pencils, paper and a camping chair at hand. Furthermore, I regularly see so many motifs that I cannot draw all at the very spot. From the moment I took this picture I planned to do this anyway, live or not.<br/><br/>Encapsulated<br/><br/>The last time I visited this beautiful little village was in Spring when I drew my first graphite pencil drawing ‘Kethel – 22-04-19’. Unfortunately Kethel has been completely surrounded by apartment buildings. The crazy thing is that first I could not find it at all. I had to climb the roof of the local supermarket in order to spot the top of its bell tower. Then I saw it was completely encapsulated by modern architecture. The village has managed to keep its original character though. Now looks like an open-air museum that is cherished like a dear gem.<br/><br/>Roundism<br/><br/>I tried to capture the flow of the flowering tree and of course in my roundish style. I thought of a couple of recent landscapes I did in that style. Beek – 11-06-19 was the last. Finally I feel this one hits the right spot. Is more profoundly roundism and it expresses exactly what I tried to convey. That was a rhythym of broken curves, thick and thin. Lucky for me someone else catched my drift so I sold it quickly.<br/><br/>Graphite pencil drawing (Pentel 0.5 mm, 3B) on Winsor & Newton paper (10.5 x 14.8 x 0.1 cm – A6 format)<br/>Artist: Corné Akkers
⏲ 0:38 👁 20K
Flagstaff Hill acting manager Ash Ansell talks about the big weekend planned at the Maritime Museum
⏲ 0:38 👁 4.3M
A demonstration of the steam winding machine at the NCMME. It controls the cage which would have taken coal or miners down to the mine. It was already second hand when it came to the site around 1876.
⏲ 0:59 👁 85K
Ambitious plans for Canning Dock
⏲ 1:0 👁 5K
As the Paris Olympics draw near, The Louvre has hired a choreographer to create a fitness circuit taking participants on a tour of the museum as they try different workouts.<br/><br/>#2024olympics #louvre #paris
⏲ 1:0 👁 5K
But de aly - Team 2 from museum ale
⏲ 0:31 👁 5K
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