low bass sound effect Videos (Page 6) - HiFiMov.co

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Greenhouse-Effect-Songs 'People....That Won't Back Down' - BMI RECORDINGS - JANGO MUSIC.

⏲ 3 min 64 sec ✓ 08-May-2011

Due to the video being primarily in slow motion a lot of SoundShifter & Renaissance Bass was used to give it that atmospheric & dramatic feel. The H-Delay was also used a number of times to create a rippling effect to the audio. At the beginning the audio is essentially a literal translation of what appears onscreen, but as the video approaches its climax the crowd & atmospheric sounds are removed to add emphasis to the robotic & metallic sounds which build in intensity until the

Waves Sound Design Competition - FireMonkey

⏲ 46 sec ✓ 28-Feb-2011

I recorded this track as a play-along practice piece, purely for critique by my fellow members athttp://www.scottsbasslessons.comIt is not intended for publication, or wider circulation.It is not for profit.nI chose to play along with English Singer, Song Writer, Multi-Instrumentalist, Steve Winwood’s recording of “Back In The High Life Again”, which he released in June 1980, on his 4th Solo Album of the same name.nThe Music was composed by Steve Winwood, in conjunction with the Amer

130621 Back In The High Life Again - Steve Winwood.mp4

⏲ 2 min 70 sec ✓ 13-Jun-2021

First up, a foreboding ambient bed was created for the start by pitching down the AFX Crowd Cheer and running it through a C4 to flatten the dynamic range of the low end and filtering out the mid to high frequencies before passing it through the L3-LL Ultra to reintroduce some of the lost energy from the pitch shifting.nnWith the opening shot on the wheel and brake disc, I pitched down some fire crackling with heavily edited and stretched version of the slalom skids, moving vehicle coil and the

Waves Sound Design Competition

⏲ 45 sec ✓ 01-Mar-2011

TheUltima 800 Mk II are high end speaker in 3-way construction with a total of six woofers (passive and active) for absolutely top stereo sound. Straight powerful frequency response for natural rendition. Housing in glossy white with black, removable apertures.nnWith high end materials, refined construction details and the best possible sound, the Ultima 800 Mk II plays in a league that is normally dominated by much more expensive speakers.nnThey improved on all high performance drivers and cr

Review: Teufel Ultima 800 Mk II

⏲ 5 min 78 sec ✓ 05-Nov-2012

This installation pairs up with the performance time code matter-II.nnIn the interactive installation 'timecodematter' (2007) the visitor enters an arena that is bordered with vibrating sheets of massive steel. The steel objects are pulsating with low frequency sound waves - when visitors approach to observe those vibrations, the object starts shaking at high amplitudes and all detail is lost.nnThe sound in this installation hovers between tangible and intangible as acoustic energy transforms in

Time Code Matter - installation

⏲ 1 min 93 sec ✓ 16-May-2010

SOUNDTRACK DESCRIPTIONnnDryIceEerieDouble TEE026201 – Time stretched it from beginning to the end of the clip. Plug-ins : Morphoder ( it pitches down the sound and adds modulation) C1 compressor ( bust volume)nnFireSmallFireCrackling 2301- same sound in two different tracks playing at the same time. I used the same processors in both the only difference is in the equalization in which one has a bust of low frequencies and the other has a bust on the high frequencies. Plug-ins: Enigma ( modulat

Waves sound design competition 2011

⏲ 45 sec ✓ 19-Feb-2011

I recorded this track as a play-along practice piece, purely for critique by my fellow members athttp://www.scottsbasslessons.comIt is not intended for publication, or wider circulation.It is not for profit.nnI chose to play along with Alison Moyet’s recording of “The Windmills of Your Mind”, which she released on her (2009) Album, “Alison Moyet – Best of 25 Years Re-Visited”.nnThe Music was composed in 1968, by the French Jazz Pianist, Michel Legrand.The English Lyrics were

040221 The Windmills of Your Mind - Alison Moyet - Ken Smith Bass

⏲ 2 min 38 sec ✓ 04-Feb-2021

Commissioned and released by Musicity Global, 2019nFull article, below:nnThis piece serves as a representation and a simulation of the spatio-sonic properties of the Barbican’s main foyer space.nnConstant improvements to the portability of recording and listening devices is changing the way that we understand relationships between sound and space. Recorded content in music and sonic art is very often dissociated from the context of its origins, as the spaces in which content is originally capt

⏲ 3 min 58 sec ✓ 29-Nov-2019

I recorded this track as a play-along practice piece, purely for critique by my fellow members athttp://www.scottsbasslessons.comIt is not intended for publication, or wider circulation.It is not for profit.nnI chose to play along with Elvis Costello and The Impostors, recording of “Stripping Paper”.nThe Music was composed by Elvis Costello, in early 2014.Elvis Costello is an accomplished raconteur …nnIts first known performance was in Amsterdam, Netherlands, on March 8th 2018.nnIt

160321 Stripping Paper - Elvis Costello and The Imposters - 2nd attempt.mp4

⏲ 2 min 43 sec ✓ 16-Mar-2021

Wich plugins i used, on wich effects and how:n-- at the begining, one of the background engines- effect name: SccaRacingIntRace SOS069401 - plugin: ultra pich shift- pich -tritone, -5; formant -768; mode-bass; slow speed - so I decreased the tone.n-- at the begining, one of the car engine- effect name: SccaRacingIntRace SOS069401 - plugin: ultra pich shift- pich 6th m, 40; formant -5.83; mode-default, slow speed - so I decreased the tone.n-- at the begining, the car on fire- effect name: Man

Fátima Araujo´s sound design creation to Waves Design Competition 2011

⏲ 45 sec ✓ 28-Feb-2011

I used Cubase 5 on a PC for this project. nnTo get the full effect you really do need to listen to this on big speakers or decent headphones.nnOK. So the Waves bundle was very crucial to the final sound of this video. Nearly every sound effect I used was processed in some way with a plugin from Waves. Be it pitch shifting with SoundShifter or UltraPitch, EQing with the one of the 'Q series' EQs, or messing with the dynamic ranges of sounds with one of the many compressors offered. And where woul

Aaron Argent Waves Sound Design Competition Entry

⏲ 45 sec ✓ 28-Feb-2011

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