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$800,000 Modified Corvette Does 180MPH
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Miami Airport (MIA) - Check-In Counter Walkthrough 2024
⏲ 16 minutes 32 seconds 👁 592
Airport Codes Study Guide
⏲ 11 minutes 13 seconds 👁 42.5K
Canada's Saad Bin Zafar previews opening T20 world cup game against the USA
⏲ 5:14 👁 2.4M
International Check-In Area Walkthrough - Atlanta Airport (ATL)
⏲ 7 minutes 36 seconds 👁 1.2K
3046 going through TSA security check point
⏲ 5 minutes 37 seconds 👁 112.8K
Your guide to Cardiff Airport
⏲ 3:0 👁 6.6M
The Free App to Breeze Through Airport Customs
⏲ 2 minutes 34 seconds 👁 55.8K
El Paso International Airport (Airport Code: ELP) - Guide for Arriving Passengers to El Paso, TX
⏲ 8 minutes 45 seconds 👁 5.6K
The Breakdown: Shaboozey on 'Bar Song (Tipsy)'
⏲ 8:34 👁 4.7M
FREE App Saves Time at U.S. Customs | Is Mobile Passport Control better than Global Entry?
⏲ 3 minutes 47 seconds 👁 6.2K
Airport departures in McAllen reach record breaking numbers
⏲ 2 minutes 21 seconds 👁 297
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_36800000-modified-corvette-does-180mph.webp "A MODIFIED 1970s Corvette has been described as 'one of history’s greatest streetcars'. Custom-built by legendary modifier, Andy Granatelli, the Chevvy is worth over $800,000 and is capable of speeds over 180mph. It currently lives at the Rock ’n Roll Car Museum in Austin, Texas and is a stand-out piece in their collection. Boasting 880HP, it can push from 0-60mph in less than three seconds and has a gas turbine engine. Andy Schmidt said: “To drive this car, it’s not easy. You have to put a little work into it. There’s actually a fifth break that’s installed in order to help slow this car down. It can be a handful but when you get on the throttle, it’s all worthwhile. When you do hit the accelerator pedal, you better be holding on because this thing is going to take off.\")
_miami-airport-mia-check-in-counter-walkthrough-2024.webp "Brian Ozment")
_airport-codes-study-guide.webp "LeeTower Property Solutions")
_canada39s-saad-bin-zafar-previews-opening-t20-world-cup-game-against-the-usa.webp "Canada's Saad Bin Zafar previews opening T20 world cup game against the USA<br/><br/>31/05/2024<br/><br/>Grand Prairie Stadium, Texas, USA")
_international-check-in-area-walkthrough-atlanta-airport-atl.webp "Brian Ozment")
_3046-going-through-tsa-security-check-point.webp "JBG TRAVELS")
_your-guide-to-cardiff-airport.webp "We’re inching ever closer to the summer, and that means our summer holidays are getting closer too. We’ve put together an all you need guide to Cardiff airport, for everyone going away from our local airport, we’ve got directions, flight information and even a bit of a look at the history of the site.")
_the-free-app-to-breeze-through-airport-customs.webp "The Wall Street Journal")
_el-paso-international-airport-airport-code-elp-guide-for-arriving-passengers-to-el-paso-tx.webp "Hipfig Travel-Channel")
![When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”](https://cdn1.hifimov.co/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KGmM_MmSwGIyWqyEHMTcUIl9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_the-breakdown-shaboozey-on-39bar-song-tipsy39.webp "When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”")
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