_this-must-be-the-place-post-punk-tribes-1978-1982.jpg "This Must Be The Place: Post Punk Tribes 1978 - 1982 from i love you french translation Video Screenshot Preview")
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⏲ Duration: 1 min 33 sec
✓ Published: 04-Jul-2012
✓ Published: 04-Jul-2012
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THIS MUST BE THE PLACE: POST-PUNK TRIBES 1978 – 1982nFriday, July 27 – Sunday, July 29nnAfter the much-hyped filth and fury of the initial punk movement almost instantly combusted or codified, things got much more interesting. In the halcyon pre-internet days, regional scenes were allowed to grow and develop their own identifiable and often highly idiosyncratic sounds, word of one another’s development spreading slowly through fanzines and small mail order distributors. Lucky for us, there
THIS MUST BE THE PLACE: POST-PUNK TRIBES 1978 – 1982nFriday, July 27 – Sunday, July 29nnAfter the much-hyped filth and fury of the initial punk movement almost instantly combusted or codified, things got much more interesting. In the halcyon pre-internet days, regional scenes were allowed to grow and develop their own identifiable and often highly idiosyncratic sounds, word of one another’s development spreading slowly through fanzines and small mail order distributors. Lucky for us, there
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_paroles-paroles.webp "Directed, animated, designed, etc. by Nina PaleynHebrew consultant: Aharon VaradynnnSong: Paroles, ParolesnScore: Gianni FerrionLyrics: Leo Chiosso and Giancarlo Del RenVocals: Dalida (Goddess) & Alain Delon (God)ncirca 1973nn(song abridged by Nina Paley)nnEnglish translation:nnMale/God: IT’S STRANGEnI DON’T KNOW WHAT IT WILL BE LIKE FOR ME TONIGHTnI LOOK AT YOU AS I DID THE FIRST TIMEnnFemale/Goddess: MORE WORDS, ALWAYS WORDSnTHE SAME WORDSnnM: I DON’T KNOW HOW ELSE TO TELL YOUnnF: J")
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_this-must-be-the-place-post-punk-tribes-1978-1982.webp "THIS MUST BE THE PLACE: POST-PUNK TRIBES 1978 – 1982nFriday, July 27 – Sunday, July 29nnAfter the much-hyped filth and fury of the initial punk movement almost instantly combusted or codified, things got much more interesting. In the halcyon pre-internet days, regional scenes were allowed to grow and develop their own identifiable and often highly idiosyncratic sounds, word of one another’s development spreading slowly through fanzines and small mail order distributors. Lucky for us, there")
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